

Just wanted to put this up that’s all. We had to copy the painting given to us and analyze it in about 500 words.Its very basic.
Stone Breakers – Gustave Courbet
An overview
“….show me an angel and I’ll paint one”
- Gustave Courbet (1819-1877)
The quote surmises exactly, Courbet’s philosophy of painting and the movement to which he belonged.
The Realist Movement began in the mid 19th C in France and Courbet was one of its leading figures. Realism in this conjuncture simply meant representation of the things belonging to one’s own time. The focus was on the elements of contemporary life; what people can see for themselves, only these were considered ‘real’ and hence represented. Subsequently the painting of historical and fictional subjects was rejected.
Those considered unworthy of representation, as mundane, such as labourers and peasants suddenly became the subject matter of 19th C paintings.
Courbet’s ‘Stonebreakers’ (1849) is a “complete expression of human misery”. Here two men, one young, and the other old, are depicted in the act of breaking stones to lay a road. Courbet is supposed to have witnessed this scene while on his way somewhere and it struck him as so poignant, that he called these men to his studio and proceeded to depict on a large canvas the absolute drudgery in which the lowest of the low in French society lived.
Courbet’s style neither complies with the strict linearity of Classicism nor with the flamboyance of Romanticism, but defies both with in it’s unerring naturalism .He like Caravaggio before him leaves out no detail in the wretched state of his humble subjects.The men are depicted with honesty; unidealized, and faceless, they are the anonymous embodiment of their class and their dreary lot in life. The monotony of their existence is brought out in the dull, repetitive nature of their task. The almost mechanical aspect to the older man’s stiff posture, calls to mind Louis McNeice’s shrill protest:
“I am not yet born;O fill me
With strength against those who would freeze my
Humanity,would dragoon me into lethal automation,
would make me a cog in a machine,a thing
with one face…”
His colours, mostly unflattering, such as various shades of brown convey and highlight the event’s dismal nature.
‘Stonebreakers’ does not merely represent a rebellion against the day’s artistic trends. It is also reminiscent of a Revolution. In 1848 the labourers fought the bourgeois leaders for the redistribution of property and better working conditions. Both the Revolution and the painting (done the very next year) place its commonplace subjects in centre stage and make their servility an issue of national concern. In all, it is a fantastic documentation and a truly realistic picturisation of life as it was in the 19th C for those not born in the elite circles of French society.